The Immersive, Transcendental Experience of AudioVisual Installation
                     I  N S T A L L A T I  O  N
A R 
T
The  Immersive,  
Transcendental  
Experience of 
AudioVisual  Installation
Sound c a r r i e s  a rhythm o f  emot ions,   f e e l i n g s .  Our  
sensory organs d i s t i l l  t he  no ise t o   have a r e f i n e d   
exper ience o f  each o f  t he  l a y e r s  i n an independent
f o rm .  Sound as an a r t i s t i c  o r  c r e a t i v e  express ion  
spent  a long t ime under the  radar  be fo re  making i t s   
way t o  the  mainstream c u l t u r e .  The emergence o f   sound 
a r t  i n  the  f i r s t  phase and phenomenal  p o p u l a r i t y  i n  
the  second h i g h l i g h t s  the sac red ,   m y s t i c a l  sense 
assoc ia ted  w i t h  i t .
With sound a r t ,  we make our own exper ience .  The  l i b e r t y  
t o  c rea te  how we f e e l  i s  an immersive  exper ience .  I t  
l i f t s  us o f f  t he  p l a i n  and t rans fo rms   the  
su r round ings .  The a u d i o v i s u a l  i n s t a l l a t i o n  a r t
c rea tes  a c o l l e c t i v e   exper ience w i t h  s c u l p t u r e  and  
sound f u n c t i o n i n g  a t   d i f f e r e n t  l e v e l s .  The wholesome  
appeal o r  exper ience  asks f o r  a t t e n t i o n  t o  focus  on  
the  impact  i t  has on mind and body.
AudioVisual Installation 
Art  Reflects on the 
Evolutionary  Aspect of 
Growth
Audio v ideo i n s t a l l a t i o n  a r t  contemplates upon the   
a s s o c i a t i o n  o f  o b j e c t  and sounds l i k e  two d i f f e r e n t   
bodies fo rm ing a s i n g l e  i d e n t i t y  w i t h  each h o ld i ng
an essence considered e s s e n t i a l  f o r   i n d i v i d u a l
growth and a t  the  same t ime l i f t i n g   the  o th e r  o f  i t s   
s o c i a l  image. I t  breaks t o  c re a te  a new form which
resonates o r  s t r i k e s  w i t h  i t s  o r i g i n a t i n g   
p r i n c i p l e s .
Experience Nature Through  
Different Types of Art 
Styles
A r t  f l ows  l i k e  a running stream c a r r y i ng  d i f f e r e n t   
hea l ing and prosperous p r o p e r t i e s .  There are  
d i f f e r e n t  t y pe s :  Pub l i c  a r t ,  new media a r t ,  k i n e t i c   
s c u lp t u r e s ,  i n t e r a c t i v e  a r t ,  l i g h t  a r t ,  and the  
burn ing man a r t .
There ’s  a common th read  among them. User  p a r t i c i p a t i o n  
i s  the  whole bas is  o f  exper iment  o r   a r t  form i n  the  
f i r s t  p l a c e .  A u s e r ’ s  p a r t i c i p a t i o n   happens a t  
d i f f e r e n t  l e v e l s .  I n  an i n t e r a c t i v e   atmosphere, user 
p a r t i c i p a t i o n  and user -exper ience  run a t  a p a r a l l e l  
l e v e l .  I n  o t he r  a r t  s t y l e s ,  t he   user exper iences the  
whole a c t i v i t y  s tand ing  ou t s i de   o r  moving along w i t h  
the  f l o w  the  senses f l o a t .
A r t ’ s  message i s  t o  b r i n g  a purpose t o  l i f e .  Our  
i n h e r e n t  a b i l i t y  t o  imagine t h i n g s  i s  the  bas is  o f   
d i f f e r e n t  t ypes  o f  a r t  s t y l e s  i n  the  w o r l d .  Each  s t y l e  
i s  e i t h e r  a c o n f i r m a t i o n  o f  t he  es t ab l i s hed   r u l e s  o r  
de f iance  t o  leave one ’s  personal  stamp on  the  dunes 
o f  t i m e .
Installation Art  
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