Uploaded on Mar 1, 2021
At 24 years old, Charlotte Perriand strolled into the studio of legendary furniture designer Le Corbusier and requested a task. She was told, "We don't weave pads here," and sent away. Regardless of this rough beginning, Perriand would ultimately consolidate powers with Le Corbusier and his cousin, Pierre Jeanneret, to characterize cutting edge Modernism in furnishings. Perriand and Jeanneret have since been perceived in both furniture history and at sell off as driving French trend-setters.
Artist to Know Charlotte Perriand & Pierre Jeanneret
Leading French
innovators in furniture
history and auction,
Charlotte Perriand &
Pierre Jeanneret
At 24 years old, Charlotte Perriand strolled into the studio of legendary furniture
designer Le Corbusier and requested a task. She was told, "We don't weave pads
here," and sent away. Regardless of this rough beginning, Perriand would ultimately
consolidate powers with Le Corbusier and his cousin, Pierre Jeanneret, to
characterize cutting edge Modernism in furnishings. Perriand and Jeanneret have
since been perceived in both furniture history and at sell off as driving French trend-
setters.
A piece planned by Perriand and Jeanneret was into Wright's auction of the Mark
Isaacson and Greg Nacozy Collection.
During World War II, Jeanneret and Perriand
joined the French Resistance while Le
Corbusier upheld the Vichy government. This
successfully finished their cooperative
endeavours for quite a while, except for
making pre-assembled aluminium structures
with Jean Prouvé and Georges Blanchon.
Perriand ultimately moved to Japan and
afterward Vietnam, while Jeanneret re-joined
with his cousin during the 1950s to start a
metropolitan arranging project in Chandigarh,
India.
In spite of the fact that the two fashioners
were to a great extent eclipsed by Le
Corbusier during the twentieth century, they
have since acquired consideration for their
individual commitments to Modernism.
Jeanneret gave the remainder of his working a
long time to the Chandigarh project, portrayed
today as "a magnum opus of present day
vision."
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