Uploaded on Feb 8, 2024
It seems this little part of the dance world has people believing that if you are not well versed in tricks, acro and gymnastics, there is little to no room for you in the professional dance world anymore. The bombardment of trick after trick, held extension after extension, flip after flip has some of us visually exhausted and asking, “When are you going to actually start dancing?” Where are the seamless transitions, the storytelling, the continuous phrases of movement which flow and make choreographic sense? Do we not care about this anymore? Well some T.V. programs and dance competitions might leave you feeling that way with their praise over and again, but I disagree. https://www.danceteacherweb.com/en/articles/teacher_article/2023/12/1/is-excellent-technique-enough/
Is Excellent Technique Enough
Dance Teacher
Web
Dance’s representation on T.V. has
helped make great strides for the
world of dance in terms of
recognition and respect, without a
doubt. It has allowed young
dancers to see dreams realized as
well as the hard work, dedication
and rejection which goes along
with the territory. While it has
opened up dance faor the greater
community, there is a troubling,
double edged sword which leaves
little to be desired.
It seems this little part
of the dance world has
people believing that if you are not well versed in
tricks, acro and gymnastics, there is little to no
room for you in the professional dance world
anymore. The bombardment of trick after trick,
held extension after extension, flip after flip has
some of us visually exhausted and asking, “When
are you going to actually start dancing?” Where
are the seamless transitions, the storytelling, the
continuous phrases of movement which flow and
make choreographic sense? Do we not care about
this anymore? Well some T.V. programs and dance
competitions might leave you feeling that way
with their praise over and again, but I disagree.
I believe many teachers agree with
me. We’re tired of seeing youngsters
on T.V. and in competition being ripped
apart in critique because they opted
for a classic tap or theatre jazz solo
number which demonstrated stylistic
nuance, solid technique, musicality
and clean lines without the addition of
a side tilt or front flip to the floor. Not
that there isn’t a time and place for
that too, but it doesn’t have to be
every time.
A llot of us teachers and choreographers are
bored wiith thiis trend and haviing us say,, “What
ellse you got?” Yes,, athlletiiciism iis desiired and an
absollutelly wonderfull asset to have as a dancer,,
allong as iit’’s combiined wiith a foundatiionall
techniique and understandiing of movement
profifille,, transiitiions,, performance,, iintent and
artiistry.. II,, mysellf have no iinterest iin rewardiing a
dance student anymore who jjust because they
diid some fouettés iinto a tiillt iinto a death defyiing
diive to the flfloor thiinks they are “better,,” than
theiir techniicalllly skiilllled peer who came out wiith
lless triicks yet demonstrated an entiire
performance whiich lleft me feelliing jjoyfull,, fullfifilllled
and confifident thiis dancer understood exactlly
what theiir choreographiic iintent was..
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