Uploaded on Aug 13, 2024
According to the latest research report by IMARC Group, The global luxury goods market size reached US$ 275.2 Billion in 2023. Looking forward, IMARC Group expects the market to reach US$ 390.3 Billion by 2032, exhibiting a growth rate (CAGR) of 3.96% during 2024-2032. More Info:- https://www.imarcgroup.com/luxury-goods-market
Luxury Goods Market by Product Type, Distribution Channel, End User 2024-2032
Global Luxury Goods Market Research and Forecast Report 2024- 2032 Format: PDF+EXCEL © 2023 IMARC All Rights Reserved About IMARC Group In ternat ional Market Analys is Research and Consul t ing Group is a leading adv iser on management s t rategy and market research wor ldwide. We par tner wi th c l ients in a l l regions and indust ry vert ica ls to ident i fy thei r h ighest -value oppor tuni t ies, address thei r most cr i t ica l chal lenges, and t ransform thei r bus inesses. IMARC’s in format ion products inc lude major market , sc ient i f ic , economic and technological developments for bus iness leaders in pharmaceut ica l , indust r ia l , and h igh technology organizat ions. Market forecasts and indust ry analys is for b iotechnology, advanced mater ia ls , chemicals , food and beverage, t ravel and tour ism, nanotechnology and novel process ing methods are at the top of the company’s exper t ise. IMARC’s ta i lored approach combines unfathomable ins ight in to the dynamics o f companies and markets wi th c lose cooperat ion at a l l levels of the c l ient organizat ion. This ensures that our c l ients achieve unmatchable compet i t ive advantage, bui ld more pro f ic ient organizat ions, and secure las t ing resul ts . Accord ing to the la tes t repo r t by IMARC Group , t i t led "Luxury Goods Market : Globa l Industry Trends, Share , S ize , Growth, Opportuni ty and Forecas t 2024 -2032 ," the g loba l luxu ry goods marke t s i ze reached US$ 275 .2 B i l l i on in 2023 . Factors Af fect ing the Growth of the Luxury Goods Industry: Report Shif t in Consumer Preferences: The s ign i f i can t change in peop le ' s p re fe rences d r i ven by demograph ic changes Highlight and i s d r i v ing the g rowth o f the marke t . Wea l thy m i l lenn ia ls and Genera t ion Z shoppers , who now accoun t fo r a s i zab le por t i on o f l uxu ry spend ing , p r io r i t i ze Description exper iences over mate r ia l possess ions . They look fo r p roduc ts tha t a l ign w i th the i r va lues , inc lud ing sus ta inab i l i t y , au then t ic i t y and soc ia l respons ib i l i t y . Luxury b rands a re respond ing by incorpora t ing sus ta inab le p rac t i ces in to the i r supp ly cha ins , o f fe r ing t ranspa ren t sou rc ing and imp lemen t ing e th i ca l manu fac tu r ing p rocesses . Add i t i ona l ly , s to ry te l l i ng and un ique expe r iences a re becoming cen t ra l t o luxury marke t ing s t ra teg ies , f os te r ing emot iona l connec t ions w i th consumers . Digital Transformation: The d ig i ta l revo lu t ion i s reshap ing the marketp lace , in f luenc ing how brands in terac t w i th shoppers and conduc t bus iness . E-commerce p la t forms, soc ia l media and d ig i ta l marke t ing a re becoming essent ia l to reach and engage wi th a g loba l aud ience . Luxury b rands are embrac ing d ig i ta l innova t ion to Report enhance the on l ine shopping exper ience , f rom v i r tua l t ry -on featu res and persona l i zed recommendat ions to immers ive d ig i ta l campa igns and Highlight and in f luencer par tnersh ips . Soc ia l media p la t forms serve as power fu l too ls for te l l i ng b rand s tor ies , bu i ld ing communi t ies , and customer engagement . Description Add i t iona l l y , luxury brands are leverag ing technology, such as augmented rea l i t y (AR) and v i r tua l rea l i t y (VR) , to c rea te immers ive d ig i ta l exper iences, b lur r ing the l ines between on l ine and o f f l i ne re ta i l . By embrac ing d ig i ta l t ransfo rmat ion , luxury brands can remain ag i le , innova t ive and compet i t ive in an inc reas ing ly d ig i ta l - focused marke t . Exclusivi ty and Rar i ty: Exc lus iv i t y and ra r i ty a re suppor t ing marke t g rowth . Luxury b rands o f ten produce l im i ted quant i t ies o f the i r p roducts , c rea t ing a sense o f scarc i t y and exc lus iv i ty tha t appeals to wea l thy peop le . L imi ted ed i t ion i tems, pe rsona l ized se rv ices and h igh p r i ces con t r ibu te to the percep t ion o f l uxu ry and appea l . Peop le look fo r un ique and ra re ob jec ts as s ta tus symbo ls , i nd ica t ing the i r wea l th , t as te and soc ia l s ta tus . Luxury b rands ca re fu l l y manage supp ly cha ins and d is t r i bu t ion channe ls to ma in ta in exc lus iv i t y , ensu r ing the i r p roduc ts rema in h igh ly sough t -a f te r and re ta in the i r Report va lue over t ime . Add i t i ona l ly , co l l abora t ions w i th renowned des igners , a r t i s ts and ce leb r i t i es fu r the r enhance the exc lus iv i t y and appea l o f luxu ry goods , Highlight and dr iv ing demand and b rand loya l ty among d iscern ing shoppers . Description Request for a PDF sample o f th is repor t : h t tps : / /www. imarcgroup .com/ luxu ry -goods-marke t / reques tsamp le Report Description Global Luxury Goods Market Trends: Celebr i ty endorsements and in f luencer cu l ture p lay an impor tant ro le in shaping shoppers ' percept ions and dr iv ing demand for luxury goods. Celebr i t ies , fash ion icons and in f luencers serve as power fu l brand ambassadors, endors ing luxury products through red carpet appearances, socia l media posts and s t ra teg ic co l laborat ions. I ts in f luence extends beyond t rad i t iona l adver t is ing channels , shaping t rends, set t ing fash ion s tandards and dr iv ing preferences. Luxury brands s t ra teg ica l ly par tner w i th ce lebr i t ies and in f luencers to enhance brand v is ib i l i ty , reach new audiences, and cu l t ivate asp i ra t iona l l i fes ty les associa ted wi th the i r products . Add i t iona l ly , in f luencer market ing a l lows luxury brands to connect wi th younger demographics , who of ten turn to soc ia l media personal i t ies for s ty le insp i ra t ion and product recommendat ions. By leverag ing ce lebr i ty endorsements and in f luencer par tnersh ips , luxury brands can ampl i fy the i r presence and generate buzz around the i r products . View Report TOC, F igures and Tables : ht tps: / /www.imarcgroup.com/luxury-goods-market Breakup by Product Type: • Watches and Jewel lery • Perfumes and Cosmetics • Clothing • Bags/Purse • Others Report Breakup by Distribution Channel: Segmentation • Offl ine • Online Breakup by End User: • Women • Men Breakup by Region: • North America • Europe • Asia-Pacifi c • Latin America Report • Middle East and Afr ica Segmentation • Chanel • Compagnie Financière Richemont S.A. • Gianni Versace S.r. l • Giorgio Armani S.p.A Competitive • Hermès International S.A. Landscape • Kering S.A. • LVMH Moët Hennessy Louis Vuitton with Key • Prada S.p.A. Players • Ralph Lauren Corporat ion • Rolex SA • The Estée Lauder Companies Inc. • The Swatch Group Ltd • Valentino S.p.A. How has the global luxury goods market performed so far, and how will it perform in the coming years? What are the drivers, restraints, and opportunities in the global luxury goods market? What is the impact of each driver, restraint, and Key opportunity on the global luxury goods market? Questions What are the key regional markets? Answered in Which countries represent the most attractive luxury the Report goods market? What is the breakup of the market based on the product type? Which is the most attractive product type in the luxury goods market? What is the breakup of the market based on the distribution channel? Which is the most attractive distribution channel in the luxury goods market? What is the breakup of the market based on the end user? Key Which is the most attractive end user in the luxury goods market? Questions What is the competitive structure of the market? Answered in the Report Who are the key players/companies in the global luxury goods market? 1 P r e f a c e 2 S c o p e a n d M e t h o d o l o g y 2 . 1 O b j e c t i v e s o f t h e S t u d y 2 . 2 S t a k e h o l d e r s 2 . 3 D a t a E n d U s e r s 2 . 3 . 1 P r i m a r y E n d U s e r s 2 . 3 . 2 S e c o n d a r y E n d U s e r s 2 . 4 M a r k e t E s t i m a t i o n 2 . 4 . 1 B o t t o m - U p A p p r o a c h Table of 2 . 4 . 2 T o p - D o w n A p p r o a c h2 . 5 F o r e c a s t i n g M e t h o d o l o g y 3 E x e c u t i v e S u m m a r y 4 G l o b a l L u x u r y G o o d s M a r k e t - I n t r o d u c t i o n 4 . 1 O v e r v i e w Contents 4 . 2 M a r k e t D y n a m i c s4 . 3 I n d u s t r y T r e n d s 4 . 4 C o m p e t i t i v e I n t e l l i g e n c e 5 G l o b a l L u x u r y G o o d s M a r k e t L a n d s c a p e 5 . 1 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 5 . 2 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 G l o b a l L u x u r y G o o d s M a r k e t - B r e a k u p b y P r o d u c t T y p e 6 . 1 W a t c h e s a n d J e w e l l e r y 6 . 1 . 1 O v e r v i e w 6 . 1 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 6 . 1 . 3 M a r k e t S e g m e n t a t i o n 6 . 1 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 . 2 P e r f u m e s a n d C o s m e t i c s 6 . 2 . 1 O v e r v i e w 6 . 2 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 6 . 2 . 3 M a r k e t S e g m e n t a t i o n 6 . 2 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 .3 C lo t h in g 6 .3 . 1 O v e r v i e w 6 .3 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 6 .3 . 3 M a r k e t S e g m e n ta t i o n 6 .3 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 .4 B a g s / P u r s e 6 .4 . 1 O v e r v i e w 6 .4 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 6 .4 . 3 M a r k e t S e g m e n ta t i o n 6 .4 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 .5 O t h e r s Table of 6 .5 . 1 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 )6 .5 . 2 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 6 .6 A t t r a c t i v e I n v e s t m e n t P r o p o s i t i o n b y P r o d u c t T y p e 7 G lo b a l L u x u r y G o o d s M a r k e t - B r e a k u p b y D i s t r i b u t i o n Contents C h a n n e l 7 .1 O f f l i n e 7 .1 . 1 O v e r v i e w 7 .1 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 7 .1 . 3 M a r k e t S e g m e n ta t i o n 7 .1 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 7 .2 O n l i n e 7 .2 . 1 O v e r v i e w 7 .2 . 2 H i s t o r i c a l a n d C u r r e n t M a r k e t T r e n d s ( 2 0 1 8 - 2 0 2 3 ) 7 .2 . 3 M a r k e t S e g m e n ta t i o n 7 .2 . 4 M a r k e t F o r e c a s t ( 2 0 2 4 - 2 0 3 2 ) 7 .3 A t t r a c t i v e I n v e s tm e n t P r o p o s i t i o n b y D i s t r i b u t i o n C h a n n e l 8 G lo b a l L u x u r y G o o d s M a r k e t - B r e a k u p b y E n d U s e r F o r m o r e i n f o r m a t io n , v i s i t : ht tps : / /www. imarcgroup .com/ luxury-goods -market / toc Partial List of Clients Partial List of Clients Disclaimer © 2024 IMARC Al l R ights Reserved Th is Pub l i ca t ion and a l l i t ’ s con ten ts un less o therw ise men t i oned a re copy r i gh ted in the name o f I n t e rna t i ona l Marke t Ana lys i s Research and Consu l t ing ( IMARC) . 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